Her research interests are centered on the social aspects of design and how it affects urban communities - architecture as a literal and figural structure of power. She focuses on the ways local and national bodies have made the claim for the dominating narrative and collective memory of cities, and examines how preservation and public history contribute to the creation and maintenance of the identity and “sense of place” of a city. She was awarded the 2014 Bishir Prize from the Vernacular Architecture Forum for her article “The Dunbar High School Dilemma: Architecture, Power, and African-American Cultural Heritage.” She has also contributed chapters to three edited volumes: Walking in Cities: Quotidian Mobility as Urban Theory, Method, and Practice (Forthcoming: Temple University Press, 2015); Designing Schools: Space, Place and Pedagogy (Forthcoming: Routledge, 2016); and Bending the Arc: 50 Ideas to Shape the Next 50 Years of Preservation Practice. (Under Contract: University of Massachusetts Press). Her research and public history work has been featured in CityLab, Architect, Offbeat,American Scholar, and the Journal of Digital Humanities. Amber is also a photographer, and her work reflects her research and teaching interests. She has exhibited at the Ogden Museum of Southern Art, The Project Box, L'Entrepôt Gallery, the District of Columbia Arts Center, and Artomatic.
Her teaching approach reflects her dedication to critical thinking about the human condition in the built environment, and the creation of cities, neighborhoods, and communities. She strives to actively engage in discourses that are significant across academic fields. Before undertaking doctoral work in American Studies her theoretical and analytic background was founded in art and architectural history methodology. She combines analysis of aesthetics and socio-cultural influences on community building with questions about the meaning of culture, authority, and agency.